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In Tibetan Printing: Comparisons, Continuities and Change the editors publish the results of the workshop “Printing as an Agent of Change in Tibet and beyond” held at Pembroke College, Cambridge, in November 2013. This is the first study of the social and cultural history of Tibetan book technology that takes materials, living traditions and cross-cultural comparisons into consideration. Bringing together leading experts from different disciplines, it discusses the introduction of printing in Tibetan societies in the context of Asian book cultures with an eye to the questions raised by the study of the European history of printing. This title is available online in its entirety in Open Access. Contributors are: Tim Barrett, Alessandro Boesi, Peter Burke, Michela Clemente, Hildegard Diemberger, Dorje Gyeltsen, Franz-Karl Ehrhard, Helmut Eimer, Johan Elverskog, Camillo Formigatti, Imre Galambos, Agnieszka Helman-Wazny, Tomasz Wazny, Sherab Sangpo Kawa, Peter Kornicki, Leonard van der Kuijp, Stefan Larsson, Ben Nourse, Anuradha Pallipurath, Porong Dawa, Paola Ricciardi, Tsering Dawa Sharshon, Sam van Schaik, Cristina Scherrer-Schaub, Marta Sernesi, Pasang Wangdu.

Printing --- Books --- Bookbinding --- Book design --- History --- Design, Book --- Graphic design (Typography) --- Binding of books --- Print finishing processes --- Library materials --- Publications --- Bibliography --- Cataloging --- International Standard Book Numbers --- Printing, Practical --- Typography --- Graphic arts --- Format --- Book design. --- Bookbinding. --- Books. --- Printing. --- China --- Bod Region --- Greater Tibet --- Hsi-tang Region --- Sitsang Region --- Thibet Region --- Tibbata Region --- Tibet Region --- Wei-tsang Region --- Xi zang Region --- Xizang Region --- Bibliopegy --- Social & cultural history

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Charlotte Guillard constitue une figure exceptionnelle de la Renaissance française. Originaire du Maine, elle mène à Paris une carrière brillante dans la typographie. Veuve tour à tour des imprimeurs Berthold Rembolt et Claude Chevallon, elle administre en maîtresse-femme l'atelier du Soleil d'Or pendant près de vingt ans, de 1537 à 1557. Sous sa direction, l'entreprise accapare le marché de l'édition juridique et des Pères de l'Église, publiant des éditions savantes préparées par quelques-uns des plus illustres humanistes parisiens (Antoine Macault, Jacques Toussain, Jean Du Tillet, Guillaume Postel...). Associant dans un même projet intellectuel les théologiens parisiens les plus conservateurs et les lettrés les plus épris de nouveauté, sa production témoigne de la vivacité des débats qui agitent les milieux intellectuels au siècle des Réformes.

Women printers --- Printing --- Books --- Printers --- History --- Guillard, Charlotte, --- Guillard, Charlotte --- Printing, Practical --- Typography --- Women as printers --- Guillard, Carola, --- Guillart, Charlotte, --- 094.1 <44 PARIS> --- 929-055.2 --- 929-055.2 Biografie. Genealogie. Heraldiek--Vrouwelijke personen. Vrouwen --- Biografie. Genealogie. Heraldiek--Vrouwelijke personen. Vrouwen --- 094.1 <44 PARIS> Oude drukken: bibliografie----Frankrijk--PARIS --- Oude drukken: bibliografie----Frankrijk--PARIS --- Women in the book industries and trade --- Library materials --- Publications --- Bibliography --- Cataloging --- International Standard Book Numbers --- Graphic arts --- Publishing industry & book trade --- Women printers - France - Biography --- Printing - France - Paris - History - 16th century --- Books - France - Paris - History - 16th century --- Printers - France - Biography --- Guillard, Charlotte, - -1557 --- arts --- graphiques --- femme --- histoire --- livre --- imprimerie --- édition --- humanisme

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In China the tradition of a book society is longer than anywhere else in the world. Chinese paper making, calligraphy and woodblock printing date from very early ages, but have for a very long time remained almost unknown to the Western world. At the IFLA satellite meeting "Chinese Written and Printed Cultural Heritage and Library Work" in Hangzhou in 2006 the richness of present day book historical research and library activities in China has been presented by more than sixty papers. This fine selection reflects the width and depth of this extremely important and immense Chinese heritage.

xylography --- book history --- printing techniques --- printing [process] --- handmade paper --- calligraphy [process] --- Book history --- Graphic arts --- Writing --- China --- Books and reading --- Printing --- Calligraphy, Chinese --- Paper work --- Libraries --- Livres et lecture --- Imprimerie --- Calligraphie chinoise --- Papier, travail du --- Bibliothèques --- History --- Histoire --- BPB1005 --- 091 =951 --- 094.1 <51> --- 094 =951 --- Printing, Practical --- Typography --- Documentation --- Public institutions --- Librarians --- Chinese calligraphy --- 094.1 <51> Oude drukken: bibliografie----China --- Oude drukken: bibliografie----China --- 094 =951 Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora--Chinees --- Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora--Chinees --- 091 =951 Handschriftenkunde. Handschriftencatalogi--Chinees --- Handschriftenkunde. Handschriftencatalogi--Chinees --- Conferences - Meetings --- History. --- Cultural heritage --- Calligraphy, Chinese - History - Congresses --- Printing - China - History - Congresses --- Libraries - China - Congresses --- Calligraphy --- Restauration d'ouvrages

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Autorschaft erfordert mehr als das Schreiben eines Textes: Um 1800 wird sie vor allem durch das gedruckte Buch hervorgebracht. In dieser Zeit entwickelt sie sich zu einem sozialen Phänomen, und im deutschsprachigen Raum grassiert die »Schriftstellersucht«. Tobias Fuchs untersucht in diesem Kontext die auf das Buchartefakt bezogenen Praktiken des Publizierens zwischen 1765 und 1815. Die Materialität von Literatur betrachtet er dabei in ihren ästhetischen, merkantilen, poetologischen, rechtlichen sowie wissensgeschichtlichen Dimensionen. Der Bogen reicht von Jean Pauls handgeschriebenen Büchern über gedruckte Artefakte bis zur Makulatur.

655.26 --- 655.4 <0.02> --- <0.02> --- 091 "17" --- 091 "18" --- 094 "17" --- 094 "18" --- Authorship --- Books --- Manuscripts --- Printing --- Books and reading --- Authors and publishers --- Publishers and publishing --- Waste paper --- Transmission of texts --- Literary transmission --- Manuscript transmission --- Textual transmission --- Criticism, Textual --- Editions --- Paper, Waste --- Wastepaper --- Paper --- Waste products --- Book publishing --- Book industries and trade --- Booksellers and bookselling --- Author and publisher --- Publishers and authors --- Publishing contracts --- Contracts --- Book proposals --- Copyright --- Literary agents --- Appraisal of books --- Choice of books --- Evaluation of literature --- Literature --- Reading, Choice of --- Reading and books --- Reading habits --- Reading public --- Reading --- Reading interests --- Reading promotion --- Printing, Practical --- Typography --- Graphic arts --- Codices --- Nonbook materials --- Archival materials --- Charters --- Codicology --- Diplomatics --- Illumination of books and manuscripts --- Paleography --- Library materials --- Publications --- Bibliography --- Cataloging --- International Standard Book Numbers --- Authoring (Authorship) --- Writing (Authorship) --- 094 "18" Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora--19e eeuw. Periode 1800-1899 --- Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora--19e eeuw. Periode 1800-1899 --- 094 "17" Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora--18e eeuw. Periode 1700-1799 --- Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora--18e eeuw. Periode 1700-1799 --- 091 "18" Handschriftenkunde. Handschriftencatalogi--19e eeuw. Periode 1800-1899 --- Handschriftenkunde. Handschriftencatalogi--19e eeuw. Periode 1800-1899 --- 091 "17" Handschriftenkunde. Handschriftencatalogi--18e eeuw. Periode 1700-1799 --- Handschriftenkunde. Handschriftencatalogi--18e eeuw. Periode 1700-1799 --- <0.02> Documenten naar hun fysieke vorm en uiterlijk --- Documenten naar hun fysieke vorm en uiterlijk --- 655.4 <0.02> Uitgeverij. Boekhandel--Documenten naar hun fysieke vorm en uiterlijk --- Uitgeverij. Boekhandel--Documenten naar hun fysieke vorm en uiterlijk --- 655.26 Soorten zetwerk. Lay-out. Typografische vormgeving --- 655.26 Typography. Graphic design. Kinds of text (material to be set) --- Soorten zetwerk. Lay-out. Typografische vormgeving --- Typography. Graphic design. Kinds of text (material to be set) --- History --- Publishing --- Law and legislation --- Appraisal --- Evaluation --- Jean Paul, --- Paul, Jean, --- Richter, Johann Paul Friedrich, --- Rikhter, Zhen Polʹ Friderik, --- Richter, Jean Paul, --- Authorship. --- E-books --- LITERARY CRITICISM / General. --- History. --- 18th Century. --- Analogue Media. --- Book History. --- Book Printing. --- Copyright Law. --- Cultural History. --- Jean Paul. --- Journalism. --- Literary Studies. --- Literature. --- Manuscript. --- Materiality. --- Media. --- Praxeology. --- Waste Paper. --- Deutschsprachige Literatur; Autorschaft; Publizistik; Materialität; Buchgeschichte; Praxeologie; Urheberrecht; Jean Paul; 18. Jahrhundert; Manuskript; Buchdruck; Makulatur; Literatur; Kulturgeschichte; Medien; Allgemeine Literaturwissenschaft; Analoge Medien; Literaturwissenschaft; German Literature; Authorship; Journalism; Materiality; Book History; Praxeology; Copyright Law; 18th Century; Manuscript; Book Printing; Waste Paper; Literature; Cultural History; Media; Literary Studies; Analogue Media